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Film Editing History The earliest film editing was done with the camera. The director would stop filming at the end of a scene, then move the camera or alter the stage, and begin filming again.Georges Méliès used this technique for early special effects (infoplease.com). He would set off a small cloud of smoke in front of an actor, stop filming, then resume once the actor had left the frame, making it appear as though the actor had vanished in a poof of smoke. Bobby Bose Film Editor - Bobby Bose Film Editor. ... Know More AboutBobby Bose Film Editor To read more about bobby bose film editor nei india film tv editing institute kindly visitwww.neiindia.com There is a difference between the “natural” story time and narrative, plot or screen time. Essentially recording natural time would require filming every movement in real time. If a woman leaves her house after receiving a phone call. If this sequence was recorded in natural time it would require at least 30 minutes. This would include collecting her keys, her handbag, putting her shoes on, going to the toilet, walking to the door, opening it, locking it and walking to her destination. Instead of showing all this extended action in natural time the director can cut out all of the ‘unnecessary’ action and reduce 30 minutes into 1 minute. Bobby Bose Film Editor Producing Film under banner of Bose Entertainmentshttp://bobbybosefilmeditor.com/bobby-bose-film-editor-ose-entertainments/ Bobby To read more about bobby bose film editor & nei india film & tv editing institute kindly visit www.neiindia.com A simple cut, fade or dissolve [All indicating different amounts of time passes] can facilitate the movement in natural time. Instead of the long sequence we could be shown the end of the phone call, a cut to her placing her shoes on then a cut to her walking down a highstreet into a block of flats. Three simple cuts reduce the screen time but, one logically accepts, retains natural times’ affects on the temporal environment of the screen world and the characters’ involved- in essence if it was twelve at her leaving then it should be half twelve at her arrival at the flat. This simple and basic technique allows narratives to span large spatial and temporal distances without the need to follow dull action. This editing technique could transform a boring home movie of forty minutes length watching a whale performing tricks into a snappy interesting scene of a few minutes; the manipulation of time, through elliptical editing, is central to the movement of a narrative. Elliptical editing at its most extreme can be used to make two vastly different spatial and temporal arenas collide. This technique is famously used in Stanley Kubrick’s2001: A Space Odyssey(1968), in which the spatial temporal environment of the ape is linked, or matched to give its correct term, to a space station orbiting around earth.
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